Robert M Chapple, Archaeologist

You don’t have to know much about Northern Ireland to know that we have murals … lots of murals … I’ve written before about how they act as social barometers, with changing themes and emphases reflecting wider concerns within varies communities. While even a basic Google image search will return plenty of images of Northern Ireland’s murals, I recently noticed that there are relatively few images out there of murals during construction. It’s easy to see why so few such images exist – it’s a relatively short process (a matter of days) in relation to the amount of time they’re visible for (frequently several years). There’s also the issue that – especially for the more sectarian examples - many artists may be reluctant to be filmed or photographed. In June of last year, in the run up to the Euro 2016 soccer competition in France, a gable wall at the junction of Carnforth Street and the Albertbridge Road in East Belfast was chosen to receive a tribute to the Northern Ireland soccer...

One of four bracelets from a hoard found at New Ross, Co. Wexford. The pieces are dated to the period from 800-700 BC. Currently on display at the National Museum of Ireland, Dublin. I've nothing else to say about this other than it's really lovely, shiny, and gold ... nope ... nothing ... not even a hint of a suggestion that it was used to adorn genitalia ... nothing of the kind ...

In a previous post , I spoke about the rather wonderful silver replica of the Ark of the Covenant housed in the museum at the Grand lodge of Ireland, Molesworth Street, Dublin. In between engagements gracing the altar at meetings of Grand Lodge, the model is on display on the bottom shelf of the cabinet in the far wall of the museum. I mention this because I have frequently visited the museum and gazed upon the beauty of this piece, but have failed to notice some of the other pieces in the same cabinet. In particular, on the topmost shelf there is a delightful collection of silver gilt pieces that should be of interest to both archaeologists and Freemasons. The three pieces – two chalices and a drinking horn – were made by William Stokes in Dublin in 1909. They were intended to be used in the consecration of new Lodges. The museum’s information card indicates that the chalices were influenced by the Ardagh Chalice (now housed just around the corner in the National Museum of Irela...

Of all of the wonderful treasures held in the museum at the Grand lodge of Ireland, Molesworth Street, Dublin, the Ark of the Covenant is my absolute favourite. It’s fabricated in solid silver and silver gilt by Henry Flavelle. His silversmiths workshop was located on Grafton St., Dublin and he also served as Worshipful Master of Lodge 93 in Dublin. The model was first exhibited in December 1877 at the dedication ceremony for Freemasons’ Hall. It was eventually gifted to Grand Lodge by Henry E Flavelle the silversmith’s son, who served as Deputy Grand Secretary from 1898 to 1920. The Ark is now placed on the altar at every meeting of the Grand Lodge in Dublin. It’s a fantastic piece of sculpture and artistry, and I urge you to go see it yourself if you get the chance!   The title of this post is, of course, from 1981’s Raiders of the Lost Ark and the words are spoken by Belloq. Did you really think I was going to write about the Ark of the Covenant and not reference thi...

< 3D Images  <  Index of Glendalough Posts The Romanesque chancel arch After my visit to St Mary’s Church/Lady Chapel, I retraced my steps back to the excavation. While my stay at the church had been restful and contemplative, the excavation brought a whole raft of conflicting emotions. At that time it was the first excavation I’d visited since leaving the profession, four years previously. I simultaneously felt drawn to the immediacy of discovery and the so many other positive things that I remembered fondly from my old life. Sure, there were reminders of other aspects of the profession I was keen to leave behind – the sore back & knees, the pay, the constantly being covered in dirt – but there in the sunshine on a well-run research dig it was the good bits that predominated. It was emotional. Romanesque capital I put my cameras and other gear back in the bag, slung my tripod over my shoulder and set off towards the car park. As I turned to...

< Back to Main Post  <  Index of Glendalough Posts To view the 3D Images you’ll need a pair of red/blue glasses. These can be purchased relatively cheaply from Amazon [ here ]. < Back to Main Post  <  Index of Glendalough Posts

< 3D Images    <  Index of Glendalough Posts West gable and graveyard There’s no denying that the central precinct of Glendalough is pretty packed with tourists during the summer season. While the round tower, St Kevin’s church, the graveyard, and all that are lovely and interesting, it’s just not possible to take a photograph without other people getting in the shot (and you becoming part of someone else’s holiday snaps too!). With buses disgorging a seemingly endless stream of sightseers, the site does take on something of the feel of a theme park. While I’m fully aware that these sites would have bustled with activity in their heydays, I do prefer my medieval ruins to be still and peaceful … and that quietude is just not to be found there. Or so I thought. In my wanderings, I bumped into a couple of student archaeologists working on a small trench near the gateway. They directed me up the road and into a field where the main UCD Archaeology Department exc...