Co Cavan: Archaeological Objects at The British Museum

The British Museum holds six items identified as coming from Co Cavan. The majority of these are assigned to the Early Medieval and Late Neolithic/Early Bronze Age (2 each), followed by the Early Medieval period (2). Only two material types are represented in this assemblage: Metal (4) and Stone (2).

< Table of Contents

Neolithic/Bronze Age: Stone item
Tullygarvey, Barony of
discoidal scraper (?); discoidal knife (?)
St.140.p
Flint knife or scraper, broken, discoidal shape; snapped off at one end; made on a flake; retouched bifacially; dark grey colour.
http://britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1397683&partId=1


Late Neolithic/Early Bronze Age: Metal item
Bailyborough
lunula
18710401.200
Gold lunula. Flat sheet crescent of beaten gold. It is decorated with a complex finely-incised geometric pattern.
2400BC-2000BC (circa)
http://britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1398365&partId=1


Late Neolithic/Early Bronze Age: Stone item
Tullegarvey
barbed-and-tanged arrow-head
+.3477
Flint barbed-and-tanged arrow-head.
http://britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1397657&partId=1


Early Medieval: Metal items
Cavan
penannular brooch
18560320.100
Bronze penannular brooch with grooved hoop, terminals with red enamel, each with three millefiori glass roundels set within copper alloy cells.
7thC
http://britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=85537&partId=1

Kilmore, palace
ringed pin; ring brooch
19351105.100
Copper alloy ringed pin with openwork ring around three-pointed motif, interlace panels flanking lower point; semi-circular mouldings flank pin-head.
8thC-9thC
http://britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=90367&partId=1


Viking: Metal item
Virginia
arm-ring
18490301.200
Circular gold arm-ring made of thin plaited rods forming an open-work frame around a single broader rod at its centre.
10thC
http://britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=65006&partId=1


< Table of Contents
Location: Great Russell St, Bloomsbury, London WC1B 3DG, UK

Comments

Post a Comment

Popular posts from this blog

"Always remember to draw the swastika turning to the right": Some thoughts on swastika directionality in Early Medieval Irish Art

Image
Swastikas are, for a number of reasons, endlessly fascinating symbols. Like all symbols, they are only invested with the meanings we give them. Otherwise they are just little shapes and drawings that mean nothing in and of themselves. Owing to its long history and brief (if traumatic) association with Nazism, the swastika probably has a stronger resonance than most. You won’t spend long on the internet attempting to discuss the swastika before someone, trying to be helpful, notes that the Nazi version rotated counter-clockwise (elbows pointing left) and was bad, but the good Buddhist/Hindu version rotated clockwise. They may be trying to be helpful, but they are invariably wrong. It’s true that the version Adolf Hitler designed for the Nationalsozialistische Deutsche Arbeiterpartei only went one direction: counter-clockwise. What’s wrong is that not all other ( i.e. non-Nazi) swastikas turn the opposite direction (elbows pointing right). Rather than dutifully plod through a debun...
Read more

The dreaded first test post!

Image
An irregularly updated blog about archaeology and related madness! ... might just be good! ** I'm always looking for guest writers! So if you have something that you want to say about archaeology, please get in touch! ** [** If you like any of the posts on this blog, please consider making a small donation. Each donation helps keep the Irish Radiocarbon & Dendrochronological Dates project going! **] &amp;amp;amp;lt;A HREF="http://ws.amazon.co.uk/widgets/q?rt=tf_sw&amp;amp;amp;amp;ServiceVersion=20070822&amp;amp;amp;amp;MarketPlace=GB&amp;amp;amp;amp;ID=V20070822%2FGB%2Frobmchaarc-21%2F8002%2Fb7e77064-bfea-4ba8-954d-a415ec05ad0c&amp;amp;amp;amp;Operation=NoScript"&amp;amp;amp;gt;Amazon.co.uk Widgets&amp;amp;amp;lt;/A&amp;amp;amp;gt;
Read more

Three Billboards Outside University College London: A case of approved plagiarism by Prof Andrew Bevan et al.

Image
Introduction The oft-recited adage is that imitation is the sincerest form of flattery. Going by this logic, there can be no higher praise from an academic than outright plagiarism of your work. I have had recent cause to be on the receiving end of just such praise and I can assure you, dear reader, that it doesn’t feel like a compliment at all. In fact, it sucks. I decided that, rather than meekly accept it, I was going to fight back for the recognition due to my work. To this end, I reached out to the two universities involved (University College London and Plymouth University) and the publishing journal (PNAS) and asked them to initiate investigations into the conduct of their employees/authors. I trusted that these institutions would be keen to ensure that their academics adhered to the highest standards and that any deviation would be met with swift correction. I was wrong and my trust was sorely misplaced. Until now I have only really discussed this issue with my cont...
Read more